Once upon a quite a while ago, I ran a market stall with the Missus, selling pottery.

I’d been made redundant from my cosy Soho advertising job and I’d had enough.

The romantic idea of buying and selling actual stuff you can touch was massively appealing.

Early mornings joggling for the best pitch, punter banter, cash-in-hand, real-world haggling with real people handing over real grubby fivers. It felt earthy and back to basics, new and exciting.

Hard work for soft hands

It was also hard work and not quite as romantic as I’d imagined.

The early mornings soon lost their lustre and the banter with punters, who weren’t reaching into their pockets, wore thin very quickly.

By week eight, if you ignored the lack of salary, we’d just about broken even. Then the storm of ’92 came along and kicked us in the danglys – don’t look it up, this was our own personal storm, it probably didn’t make the headlines.

We’d sold nothing all day, which was bad enough, but the wind was picking up, and coping with a trestle table of delicate pottery was becoming a bit of a challenge.

A gust hit the stall and seven pots crashed to the floor. I looked down and wanted to cry. Why hadn’t I invested in something a bit more resilient than biscuit ware? Maybe vulcanised rubber vases or something.

Breaking even was disappointing. Breaking pots and making an actual loss was a message.

Lesson learned, now back to the creative department

So, back to copywriting I headed and a good few happy years zipped by full-timing and freelancing. Foreign shoots, plenty of nice briefs and enough money to keep the family in bread and cheese shut me up for a while.

Then along came another redundancy and the bright idea of running a creative agency.

The agency lasted a bit longer than the 8-week market stall fiasco, but it was equally hard, if not harder.

This time, we (my business partner and I) had office overheads and employee salaries to fret about. Real, grown-up stuff that all of our clients have to deal with every day.

Both the market stall and the agency were huge learning opportunities. I found out about selling at the sharp end (it hurts), stock control (it sucks), HR (stands for Horrific Reality) and investing large sums of money with absolutely no guarantee of any return (it’s scary).

Spare a thought for your client

As I’ve said elsewhere, for freelance creatives, empathy is our best friend. Having an insight into a target audience’s lives and attitudes is gold dust, but understanding the problems and obstacles our clients have to face is priceless.

Our clients have bigger headaches than we do, so we need to do all we can to make their jobs easier and their businesses work better.

Buying in creative work isn’t straightforward. When your head’s filled with the other pressures of running a business or a marketing department, it can be tricky to spot a good idea or decide which creative option works best.

It’s our job as Copywriters, Art Directors and Graphic Designers to not only solve problems, but also to remove barriers so that our clients are confident they’re buying the work they need.

Even when working remotely (some of my clients have never met me), this is a partnership. It may be a cliché, but the best freelance creatives don’t work for their clients, they work with them.

Even when a client says, “I trust you, just do what you think works best”, it’s up to us to make sure they understand why we’re making recommendations.

Now, this may fly in the face of other advice you’ll read about client/creative relationships, but until I find something that works better, here are:

Three golden rules for freelance creatives

– Put yourself in your client’s shoes
– Give them creative choice (but help them to decide which choice is right for them)
– If the respect isn’t a two-way thing, it’s time to say goodbye

And three golden rules for clients

– You may be commissioning the work, but invariably you aren’t the target audience
– Freelance creatives are experts, but without the right information, they know nothing
– If the respect isn’t a two-way thing, it’s time to say goodbye

Working in the creative industries is a privilege.

Freelance creatives dip in and out of other worlds, solve problems, play with words and images and earn a decent living without having to wear pinstripes. We don’t have to worry about the stresses of running a business with all its overheads, risks and responsibilities.

Saying that, it’s not all roses and everybody needs a change of view now and again.

So if your job is losing its appeal, my suggestion would be to abscond for a while and find out how the other half lives.

Stack shelves, dig ditches, sell fruit and veg, become a Sorcerer’s Apprentice… my guess is, once the novelty’s worn off, you’ll soon be diving for creative cover again.

Jonathan Wilcock is a senior freelance copywriter.
You can drop him line here, or email jonathan@sowhatif.co.uk